Import + Manage

Work with any type of media

• Import and edit footage from any camera, no matter the format, codec, or resolution. From HD and UHD, to HDR, 8K, and beyond, experience smooth, frame-accurate playback—even when mixing different types of video, audio, images, and frame rates.

High-res, high efficiency

• With the new Avid Media Engine, you can work with high-res, HDR, and proxy media more easily. Avid DNxHR and OpenEXR support eliminate bottlenecks, so you can work with a massive amount of media and quickly relink proxies to the original files with ease.

Track media with confidence

• Media Composer keeps track of all projects, source material, rendered files, metadata, and other media, so you’ll never lose sight of your assets. Your project media will always be linked—even as projects move and evolve over the years.

Organize and find files fast

• With new bin containers and mapping, you can organize and group content any way you want. Find footage in seconds, searching for clips and takes based on the dialogue they contain with the PhraseFind and ScriptSync options.

Edit + VFX

Edit with Oscar- and Emmy-winning tools

• The majority of all films and TV shows are edited on Media Composer. That’s because it makes the creative process fast, easy, and gratifying. From fluid timeline editing, to the precision toolset, you can navigate and cut sequences more intuitively and tell better stories.

Boost your creative flow

• Work the way you want to work, with a modern interface that makes editing easier and more fluid. Task-oriented workspaces—Edit, Color, Audio, and Effects—provide just the tools you need. You can even resize, rearrange, and hide panels.

Accelerate multicam editing

• Show every angle of your story with ease with the Emmy Award-winning multicamera editing toolset. Sync up to 64 different angles automatically—even with different formats and frames—so you can immediately edit and align shots as needed.

Design stunning visuals

• Add dramatic flair to your stories with built-in VFX, filters, and titles. Take your creative vision further with more video plugins and advanced tools to create composites, motion effects, transitions, graphics, and animation.

Color + Deliver

Finish in the box—or out

• Whether you do all color correction, grading, and audio mixing in Media Composer, or roundtrip out to other applications, you can be confident that your work will accurately hit every delivery specification.

Total color precision

• Media Composer future-proofs your content with its 32-bit floating point color pipeline and ACES color support, ensuring consistent color accuracy from end to end. The Symphony Option offers advanced color grading tools and IMF packaging, so you can easily deliver to Netflix and other OTT specifications with confidence.

Produce dramatic HDR imagery

• Tell stories that showcase true-to-life image quality with effortless HDR workflows. Import, edit, color grade, and deliver incredibly realistic imagery with exceptional detail in the shadows and highlights.

Create studio-quality soundtracks

• Make your story sound as good as it looks with a suite of audio tools and plugins. Create up to 64 tracks of dialogue, music, and sound effects in 7.1 surround. Or send all tracks and effects to Pro Tools for audio post—without having to transcode sequences first.

Do more, stress less

The next-generation Avid Media Engine gives you more power and speed, so you can stay focused on what matters most—your story.

Get rewarded

Whether you’re a new or longtime Media Composer user, get additional partner software (worth more than $700 USD) on us.

GET WORKFLOWS THAT WORK – PRODUCTION TEAMS

Experience the collaborative, efficient workflows top video professionals rely on.

Accelerate your edit

Boost your Media Composer capabilities with advanced tools for color and news workflows.

Media Composer 2025.6

In Media Composer 2025.6, Avid introduces several significant enhancements aimed at streamlining editing workflows and improving media management. Proxy workflows are now accessible to Ultimate license holders, no longer requiring Avid Nexis Edge, and allow seamless switching between high-res and proxy formats like DNxHD LB and H.264. On-prem Avid NEXIS systems now support this proxy functionality without needing Edge deployment. Major improvements to the Transcript Tool include a simplified UI, keyboard navigation for word selection, the ability to delete individual transcripts, and more predictable behavior when switching transcription languages. MediaCentral integration now automatically imports transcription data alongside media. Avid Titler+ gets workflow boosts too, with new clip text labels visible in the timeline and full EDL export support for titles. Editors can now generate SubCaps within marked ranges, and the AutoSequence and Spot to Timecode features now utilize the Camera column for improved multi-camera sync. Additionally, OpenTimelineIO (OTIO) import is now supported for broader interoperability, users can set AVC Long GOP encoding quality, and HDR-specific relinking is now available in Dynamic Relink workflows.

Features

System Requirements